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・ Troubridge Hill
・ Troubridge Hill Lighthouse
・ Troubridge Island
・ Trouble in Paradise (film)
・ Trouble in Paradise (La Roux album)
・ Trouble in Paradise (Loretta Lynn song)
・ Trouble in Paradise (Parker novel)
・ Trouble in Paradise (Randy Newman album)
・ Trouble in Paradise (Souther-Hillman-Furay Band album)
・ Trouble in Paradise (TV series)
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・ Trouble in Store (1934 film)
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Trouble in Tahiti
・ Trouble in Terrorist Town
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・ Trouble in the Glen
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・ Trouble in the Hood
・ Trouble in the Jungle
・ Trouble in Triplicate
・ Trouble Is a Friend
・ Trouble Is My Middle Name
・ Trouble Is Real
・ Trouble Is...
・ Trouble Kid
・ Trouble light


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Trouble in Tahiti : ウィキペディア英語版
Trouble in Tahiti

''Trouble in Tahiti'' is a one-act opera in seven scenes composed by Leonard Bernstein with an English libretto by the composer, dedicated to Marc Blitzstein. It is the darkest among Bernstein's "musicals", and the only one for which he wrote the words as well as the music. The opera received its first performance on 12 June 1952 at Bernstein's Festival of the Creative Arts on the campus of Brandeis University in Waltham, Massachusetts to an audience of nearly 3,000 people. The NBC Opera Theatre subsequently presented the opera on television in November 1952, a production which marked mezzo-soprano Beverly Wolff's professional debut in the role of Dinah. Wolff later reprised the role in the New York City Opera's first staging of the work in 1958. The original work is about 40 minutes long.
==Background==
Musically, Bernstein utilizes many of the styles for which he is most recognized. The heroine's first aria has a wistful melancholy reminiscent of Aaron Copland's earlier vernacular works and of Bernstein's later writing in ''West Side Story'', while the jazzy interludes harken back to the score Bernstein wrote for ''On the Town''.
Bernstein tried to make his opera as real as possible. He wanted everything about it to be believable. He even went to great lengths to write in language that would be heard in everyday speech during that time. “All the music (Trouble in Tahiti ) derives from American vernacular roots, as do the words. And the words are very carefully set so that they will sound in the American cadence and with the American kind of syncopated, almost slurred quality”

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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